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But Brock is made to endure a series of humiliating defeats as though the filmmakers were relishing in kicking him to the ground. This is all well and good when establishing our protagonist's evolution into vigilante anti-heroism, which started after a confrontational interview with the powerful inventor and owner of the Life Foundation, Carlton Drake (Riz Ahmed). His headbanging next-door neighbor interrupting his attempts to meditate is one particular moment of comedic annoyance while another scene of him witnessing a robbery from behind an aisle shows Brock as weak - or as Venom later calls him: a loser. This is perfect for a character whose life rapidly spirals to rock bottom and whose confident egotism suddenly changes to a twitchy, apprehensive and helpless cynic with signs of a raging fury slowly boiling underneath. Admittedly, Tom Hardy continues to be a pleasure to watch on screen, as he has been since Mad Max: Fury Road, and he makes the most of his time as investigative journalist Eddie Brock, naturally emanating a dark, brooding charisma as if he were taking a breath. However, for his first solo feature-length debut, the alien symbiote crash lands on Earth with a pretty banal and uninspired plot riddled with a series of clichéd archetypes, failing to really engage the audience in any meaningful way. Like those aforementioned pedestrian efforts, the production is visually captivating and all spectacle, just enough to dazzle the senses while mesmerizing long-time fans with a live-action adaptation that ironically feels faithful to the comics. Heck, even Howard the Duck musters some silly, entertaining fun with its badness, but Fleischer's vision of Spider-Man's formidable nemesis is a rather boisterously chaotic mess that only looks pretty on the surface.
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That's right! For me, Venom (2018) ranks alongside the likes of Daredevil, Fantastic Four: Rise of the Silver Surfer, X-Men: The Last Stand and the ridiculous X-Men Origins: Wolverine. No, I'm referring to Fleischer making a superhero movie that's on par, if not worse, than Sam Raimi's Spider-Man 3, and arguably one of the most average Marvel flicks of recent memory. Zombielanddirector Ruben Fleischer pulls off a stunning miracle in Venom (2018), and I'm not only talking about the comic-book villain achieving shocking box-office success.